| MOE!KESTRA! |
| Moe!Kestra! perform sound sculptures that challenge conventional composition. This exceptional orchestra is the brainchild of Moe! Staiano, who emerges as a skilled conducter and composer. Through an extensive glossary of hand cues, Moe! Staiano has developed a unique voice for conducting improvisation. In addition, Moe! is a proficient percussionist for two bands, Vacuum Tree Head and Sleepytime Gorilla Museum. His multi-instrumentalist talents have been enriched through found objects and prepared percussion. Moe!Kestra!
performed "Piece No. 7: An Inescapable Siren Within Earshot Of Hearing
Distance Therein And Other Whereabouts". An orchestration for guitars,
percussion, strings, u-bolts, wine glasses and sirens. The live performance
at 12 Galaxies
featured percussive portraits framed by reverberating strings. Music featured
in cyclic clusters reminisent of Glenn Branca's minimalistic guitar music.
Striking industrial u-bolts produced a high pitched yet dense noise which
was constrasted with the sound of wet fingers circling wine glasses. A
loud climax was achieved through a siren finalae which faded to a lush
sound collage of ringing notes.
The radical works showcased by Moe!Kestra! verified that Moe! Staiano
is one of the most important musical minds working within scripted improvisation.
Over forty Bay Area musicians participated in this formation of the collaborative
emsemble. Among the members of Moe!Kestra! were Scott Amendola, Nils Frykdahl,
Bill Horvitz, David Slusser and William Winant. |
|
| Selected Discography |
| ARTIST:
Moe Staiano's Moe!Kestra! ALBUM: Two Forms Of Multitudes: Conducted Improvisations LABEL: Edgetone Records RELEASED: April 2003 DURATION: 77:16 - 11 Tracks |
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| Exclusive Interview |
| Justin
Sanvicens from Xtreme Music interviewed
Moe! Staiano on July 23, 2004 San Francisco (CA), 12 Galaxies. Moe!
Staiano: I think it's fantastic working with them, basically whenever
they are available and can play. It's nice having them but anyone that
is a great musician is always welcome, and more importantly, having
people enjoy playing the music is also important in these. They seem
to be very supportive of this, which you-know is a great thing! To have
support is always helpful. Moe! Staiano: Well, Cobra is faster and I'm trying to work on doing more fast stuff on my own. I guess I compare myself more to Lawrence Butch Morris and his conducted improvisations. I've formed my own style with a glossary of hand cues. In the beginning when I did the first piece, I would have a section where I would hold signs of different music sheets, and hold that up and then bring it down where I would point to musicians. I stopped doing that because it resembled too much of projects like Cobra. So I stopped using that in the piece because I wanted to have my own voice with what I was doing. That's when I started picking up different musical terms and glossary, which I can incorporate them and make these different signals to other musicians, conduct and cue them in to overlap... and have my own voice for conducting improvisation. Xtreme Music: You'll also be performing with Sleepytime Gorilla Museum tonight. I understand you have a new release coming out on Trey Spruance's Web Of Mimicry label. Could you tell us about that recent recording? Moe!
Staiano: It's definitely better than the first one!.. It's a very fantastic
record, the production and stuff. I heard it last week and I was like
"Oh my God! This is a fantastic recording!". I was very pleased
and very honoured to be on a recording like this that is just so awesome!
It's just great! Moe!
Staiano: I've been really pleased with doing this Piece No. 7! It's
really very defined and a very well written piece. It's
kinda matured from all my previous pieces that I've done, and I'd really
like to try and do more of this. I'm really happy about doing this compostion
piece and I've kinda wondered what the next one is gonna be. |